I can't believe, even in 'The Guardian,' people ask the questions, 'Where did ISIS come from?' 'How did this happen?' 'Why do young Muslim women go off to join them?' Maybe because we've been degrading their people since 1917. Maybe their teenage years are a little bit more stressed than that of Christianity.

Well, my wife always says to me, and I think it's true, it's very difficult for us to understand the Elizabethan understanding and enjoyment and perception of form as it is to say... it would be for them to understand computers or going to the moon or something.

My understanding is that we are generally a very philanthropic and compassionate people - that when there are disasters in the world, individual citizens send loads of money into appeals for different things. We're a bloody violent people, football fans, and we've been successful at wars, and we sell far too many weapons.

I certainly never pictured myself even attending the Academy Awards, much less winning at 56. I very, very happily settled into a theater career. I did more than that, but I let all of my agents and people go. I said, 'I don't want to be promoted in film anymore. I have enough to do in the theater, so I'm just going to carry on.'

Using the power you derive from the discovery of the truth about racism in South Africa, you will help us to remake our part of the world into a corner of the globe on which all - of which all of humanity can be proud.

Successful prime-time television of any genre produces some kind of emotional reaction in the viewers. There are a lot of different emotions to tap into. The emotion of the reward of discovery, the feeling of righteous anger, the feelings of pathos and sadness, or sentimentality of being moved by something.

It is funny that men who are supposed to be scientific cannot get themselves to realise the basic principle of physics, that action and reaction are equal and opposite, that when you persecute people you always rouse them to be strong and stronger.

Science fiction in particular is often assumed to be about the future, or about some abstract technological or philosophical idea, or just about 'adventure,' but writers can't build worlds out of nothing. We use bits and pieces of the real world to assemble our fictional ones.