I've been an inveterate reader of literary magazines since I was a teenager. There are always discoveries. You're sitting in your easy chair, reading; you realize you've read a story or a group of poems four times, and you know, Yes, I want to go farther with this writer.

Love, Death and the Changing of the Seasons' is a kind of novel in verse about the arc of an urban lesbian love affair - and I suppose there is a certain amount of voyeurism in the consumption of fiction! The 'Sancerre' poems here are more contemplative and about the relationship of the individual to local and wider histories.

I'm addicted to email, but other than that, there are practical things - being able to buy a book on the internet that you can't find in your local bookshop. This could be a lifeline if you live further from the sources.

What I like about Sapphics is the music of a non-iambic metric in English.

People, certainly in the U.K., look down on screenwriting as an art form, but I love the discipline of it. Next to the bagginess of novel writing, it almost feels like a martial art.

I don't go around thinking about regret; regret doesn't consume me as a person... I'm not certain about whether any writer, any artist, any musician, can write without regret, so I don't think perhaps it's even particularly Southern.

It's just not funny to disrespect other people's beliefs, backgrounds, cultures, or identities when those are deeply rooted in longstanding oppression. Jokes that punch down on marginalized people require no creativity because they've existed since the beginning of time. It's like telling a knock-knock joke and believing you're Richard Pryor.

An art aims, above all, at producing something beautiful which affects not our feelings but the organ of pure contemplation, our imagination.