I felt like that growing up - that I didn't have a voice.

We're always steered towards what is good in the canon by a male perspective. I like to do plays with a female protagonist who finds her way through. My way is unusual.

What I really would like to see is more female stories out there. Particularly older female stories, because women are predominantly ticket-buyers.

I'm drawn to female stories, of which there aren't that many, and particularly to stories now about older women. The things they have to confront and override is really fascinating. That's a whole untold part of our world.

We as Americans believe it's OK to kill people. We believe it's OK to invade a country that had nothing to do with 9/11. We think it's OK to invade a country where we think Osama Bin Laden is and he's in the other country. So we just go in and we just kill. And we have the death penalty; we sanction it.

I always knew from books and shows that the lives of circus artists are not easy, but spending time and learning from them made me realise the amount of effort they put in and how they constantly jostle between life and death.

Grief changes shape, but it never ends.

After Chernobyl, thousands and thousands of people, if not millions, were given a death penalty and had to pay the price, our father among them.