I survived many a youth hostel bunk room reading Tolstoy by flashlight.

It was important for me early on to find the voice of each character and figure out what was unique about them and their individual worldview that I could use for comedy or conflict.

I naively thought I would quit television writing, move up to Seattle, my novel would come out, and then I'd have a novel writing career, and so I found myself really stuck in this very poisonous self-pitying state and felt like I'd never write again. And I blamed Seattle for that.

My father was a screenwriter, and I kind of grew up in that world. I always had a mind for characters and dialogue, and my head was filled with that stuff, so it seemed like a good place to start.

My mom was a theater teacher and helped me out a lot as a kid when I was starting out.

Ninety percent of the students take the 'preferred lender.' Why? Because that's the nature of the relationship. You trust the school. The school is in a position of authority.

I've changed in my sympathies since I've become a mother myself. In high school I went through a period where I was close with my mom and had to break with her in order to find myself and come back. Since that was my experience, that's often what happens in my books.

I really wasn't into sports at an early age. I couldn't wait to get home from school and go straight to my bedroom and pick up the guitar and play it. It became an obsession with me. That's all I wanted to do was play guitar and learn every lick I heard on the radio.