In general, fashion is decorative, it's protective, it acknowledges that the world does involve conflict, and you might be attacked by assumptions, presumptions, and attitudes.

Every mind is a clutter of memories, images, inventions and age-old repetitions. It can be a ghetto, too, if a ghetto is a sealed-off, confined place. Or a sanctuary, where one is free to dream and think whatever one wants. For most of us it's both - and a lot more complicated.

When innovations become habits, prescriptions, they must be imagined all over again, made new.

My mind is stuffed with quotes. Lines, couplets, paragraphs, stanzas; Bessie Smith, Stevie Smith, Tin Pan Alley, rock and roll. They tease or lead or hurl me into a dream space of jostling languages that I need to bask in each day in order to write.

When you're working on a film, it's not theater; you don't have a few weeks of rehearsal. A lot of times you are showing up on set, and you've never been to the place; you've never met the other actors you're working with.

I have always felt that the truth is prophetic, and that if you describe precisely what you see and give it life with your imagination, then what you write ought to have lasting value, no matter what the mood of your prose.

Instead of abandoning competition and giving banks protected monopolies once again, the public would be better served by making it easier to close banks when they get into trouble. Instead of making banking boring, let us make it a normal industry, susceptible to destruction in the face of creativity.

The Term Paper Artist' represents two models of writing, one of the little boy bouncing his ball, generating stories for the sheer pleasure of it, and the besieged adult, writing to make a living, having to contend with a very competitive, very unreliable world in which public image counts.