Just to be nominated, and especially as a new artist and a female artist, is a feat. Winning anything is just a bonus.

There's Kelsea Ballerini, myself... Lauren Alaina, Raelynn, and there's been this influx of really amazing artists who happen to be women. I think I'm not really attached to the females in country conversation as much anymore, but I think, you know, we're here to stay, and we've always been here, and we've always been good.

I care about women's rights and reproductive rights and my gay friends being able to keep their marriages official. You don't want your genre to disown you for it - and I don't think they would now - but you still see that sort of hatred and vitriol that comes with disagreeing with the conservative agenda.

Ever since the Dixie Chicks, the female perspective on country radio has been love songs. I love love songs, but we do have more to talk about, so it's nice that other perspectives are coming back.

We are going to see a burst of creativity that will make the Renaissance pale in comparison.

A great wind is blowing, and that gives you either imagination or a headache.

I'm kind of shocked that it's taken Hollywood so long to realize that so many great movie talents can come out of television. One of the reasons they do is that on TV you don't have the luxury of a film's big budget, and people have to compensate with creativity.

You just have to sit down and write the next book. I mean, it's not all uncommon for a writer to get a ton of publicity for one book and then not get as much for the next one. I don't worry about that because I try to worry about the one single part of the job I can control: the writing of the book.