Usually, the energy in elevators is so awkward; I mean, I can't imagine the politics in the ones in the Conde Nast building.

I think in America there's this free flow between fashion, art, architecture, music and design. In Europe, it's more segregated between those different disciplines, I think.

I love the idea of bringing my work to the general public, not just people who go to gallery openings.

Most of my work has no conventional narrative, so it's not essential to have a beginning and an end - your attention can flow in and out of the experience rather than having a set entry point.

Hollywood people are filled with guilt: white guilt, liberal guilt, money guilt. They feel bad that they're so rich, they feel they don't work that much for all that money - and they don't, for the amount of money they make.

There's a lot of money coming in, and so a lot of good players are going to each team, so every game is a fight, but on the other hand, it's good to get a good, competitive league.

But apart from the military measures, security measures, of course, Afghanistan needs great help for building up its social life, its economic life. It has become a very poor country, neglected for many years.

At times, I can be a slave to money.