Kids under, I'd say, 14 are still maturing; they are still growing. They are still understanding themselves. To hit them with something like 'Roots,' to hit them with this particular period of time, it's important to discuss the matters beyond the program itself.

One of the biggest things that I took from playing Kunta Kinte was where his strength came from in knowing where he was from.

My roots go back to West Africa, but my last name is Kirby, which is not an African name.

I was 22 when my mother gave me the original box set of 'Roots' and she said, 'I want you to watch this.' I watched the whole thing back to back in the span of 24 hours. It had a profound effect on me. It felt like my story.

Dancing in speakeasies was a job, and none of us knew for sure who were gangsters. No one told us, so how could we know? My mother used to come and take me home. We thought nothing of walking home together at two in the morning.

You write these songs which are really dear to you about your family or friends, loved ones, and then you get this call, and they say, 'It's perfect for two vampires making out in the back of a car.' It's some random TV show, and so I say, 'Oh, yeah, perfect - that's what I meant it for.'

Coming from a big family, I learned a lot. Things don't have to be perfect. You can do okay with 'almost.'

There's the job and then there's my family. There's very little time beyond that for friends.