I basically use Facebook and Twitter and MySpace to communicate with the fans. I don't think it's necessarily about advancing my career, but I do want to be able to connect with my fans. They are so important to me, and a lot of them have stuck with me since the very beginning, and that means so much to me.

My mom's Brazilian, so she and I definitely grew up with different perspectives. I was born in America, and she's from Brazil, so we have different ways of doing things. There's a bit of culture clash there.

I love playing characters who are opposite of who I am.

I think what's important in a good manager and a good agent is that they know your vision and that they are passionate about you and believe in you. Because if they don't, then they're not going to work hard for you, and they're going to send you out on things that you don't want to do.

I think, as an actor, when you're starting off early in your career, you're kind of just seeing what lands. But 'Veronica Mars' definitely primed me to look for surprising, dynamic women. It took me awhile to realize how cool that job was.

There was a time when I was fighting with the decision as to whether or not a Hasidic man could go out and have a music career in the world and be involved in pop culture. For me, I was able to bring those two things together for quite some time.

The career stuff is for business people.

One of the advantages I've had as an interpreter - because I'm not a composer - is I've had the fortune of working with great composers. Armando Manzanero, Rafael Perez Botija, Manuel Alejandro. These are the people who have built my career.