When I first started making music, it was learning other people's songs and putting them onto four-track. Like Beatles songs and stuff. When I started writing, I used the singing side of the production as a vehicle for melody and lyrical ideas.

The South of France is one of my favorite places in the world.

I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.

It's a luxury to not have to just be performing with other people to have my music heard.

It's rather naive, apart from being ethically objectionable, to assume that our investigators travel around the country with bags of money trying to bribe witnesses to lie on the witness stand. We just don't operate that way.

I think time travel is really tricky. But if there's a logic and a complete and well-thought-through paradigm for it, I think it can be really interesting. Some of my favorite time-travel movies just make me think and, you know, the 'what if' question becomes a big one.

When I explained my business model to my family, they asked if I was going to open a travel agency.

Consumers are looking for experiences, whether that's travel, whether that's entertainment. They're looking for differentiated products, things that are going to have meaning.