I've always been fascinated by the concept of reincarnation. I learned that many brilliant people were interested in reincarnation, including Carl Jung. I'm a big Jungian. So I began writing novels involving theories integrating past and present, even if the past element in the novel took place 500 or 1,000 years ago.

Your agent should be invested in the success of your book past the contract stage. After all, if it sells well, she's going to be getting 15 percent of every dime you make. She can be your best advocate in fighting for your book - not just with editing and the cover, but with marketing and sales as well.

I might have created the phrase 'memory tools', but people have always found talismans to help them meditate into a state of hypnosis where they can access their past lives.

I've always been fascinated by how the past impacts the present. For the first half of my career as a novelist, I wrote psychological suspense mysteries. I wanted to be a therapist but was told that while I was a fine diagnostician, I would be a terrible therapist because I wanted to solve everyone's problems.

I just want to make art that connects with people and moves them on an emotional level. Any time I can put out music and place a story behind it and have people watch it and go, 'Wow, I was affected by that,' to me, feels like I've done my job.

There's always the influence of music, film, art and the other things that drive me. I'm usually inspired by my environment and whatever is making me happy or mad.

I want my children to experience as much creativity as possible. That's what sets your mind on fire.

I use so much of myself in everything I do. I think every actor does because you have no one else to go to but yourself and your own imagination.