Growing up in New York City, I'd flirted with the idea of driving, but between the subway and the sidewalks, I'd never needed to learn.

There were not a lot of women in the theater department - it was really run by men, and so the message was that women can be onstage, but women can't really be backstage.

I would like there to be gender equity. I would like the Broadway season to reflect sort of the demographic of the country.

In many ways, I consider those to be my formative years, because when you're in school, you have a distant relationship to the world in that most of what you're learning is from books and lectures. But at Amnesty, I came face to face with realities in a very direct and harsh way.

I think it's critical, a sense of humor. It did help me - it does help me, continuously.

I'm so excited about 'Identity Thief'. It's such a good comedy, and I'm excited for people to go out and see it!

With every side I've played for, I've always tried to fit in and joke with my team mates while enjoying good times with them on and off the pitch. And that's what's happened with Les Bleus.

I love mustaches with all my heart. There's just something about sketch comedy and mustaches.