There's a plethora of genres that I've been introduced to, but that's only because of the foundation that was laid growing up in New Orleans. I know it's a cliche thing to say, but it's very gumbo-like. You get that here. You can mix well with all different walks of life. That's what New Orleans is. It's like no other place.

Wait a Minute,' which I consider my expose, came from a place of someone asking me to make a decision: basically presenting me with an ultimatum and me just feeling the need to just lay it out on the table.

Before any girl was making me her Man Crush Monday, I was a singer. Back before I had muscles, when I had a bird chest, I was a singer. I've always been like this, and I've gotten better because I've progressed.

It never dawned on me that I was sexy. I always thought of myself as the goofy kid.

My father tried to discourage me from going into comedy, mainly because he felt like it wasn't promising. It was pie in the sky.

I'd love to do a movie with females in it, and not necessarily the female version of 'The Hangover,' but I'd love to. If I did it it'd star Juliette Lewis, because she's the funniest woman in the world. She's my favorite actress on the planet. If we did a character-based comedy about women, I don't see it out of my range.

Uncle Fester always intrigued me. I certainly always enjoyed his kind of humor. He's just full of mischief in a kind of macabre way. I don't see anything twisted about it. It's sort of ridiculous and wacky. It's sort of fun.

When I started out, I tried out all my stuff on national television. There were no comedy clubs, but even if there were, I don't think I would have gone to them. I used to do stuff in the bathroom, and then I'd drive down to NBC and do it on 'The Golddiggers' with Dean Martin.