1926 was the most significant year. Looking back, it seems that it was not just a year in the sense of time. It was a year of great realisation or awareness. It seems to me that at certain times of the history of man, the understanding of certain situations ripens.

Technology is rooted in the past. It dominates the present and tends into the future. It is a real historical movement - one of the great movements which shape and represent their epoch.

Architecture is always the will of the age conceived as space - nothing else. Until this simple truth is clearly recognized, the struggle over the foundation of a new architecture confident in its aims and powerful in its impact cannot be realized; until then, it is destined to remain a chaos of uncoordinated forces.

If there really is no new way to be found, we are not afraid to stick with the old one that we found previously. So, I do not make every building different.

Evolution isn't just a story about where we came from. It's an epic at the center of life itself. Far from robbing our lives of meaning, it instills an appreciation for the beautiful, enduring, and ultimately triumphant fabric of life that covers our planet. Understanding that doesn't demean human life - it enhances it.

The most important lesson I've learned in this business is how to say no. I have said no to a lot of temptations, and I am glad I did.

The truth is, working on single camera, show or film, you have no life. You work 60-80 hours a week. You're up before your kid gets up, and you're home when they go to sleep.

I have 30 years of experience working with Leos Carax, so all the films of Leos Carax are unusual or unique. I look at them as a journey: a journey which is very personal to Leos.