Growing up in Sweden, musical education is something really special. There are music schools everywhere, and the education is very advanced.

As a kid growing up in Sweden loving American music, I always dreamt of migrating here and working with brilliant artists like Donald Glover.

Growing up, I was listening to a lot of Metallica, a lot of instrumental guitar music because I started out as a guitar player.

I was able to learn a new language - a new musical language is learning a new language, because it's so extremely different from Western classical music. African music is completely different.

I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.

More people have more access to more readers for less money than ever before in history. It means a lot of dross; but it means a lot of very talented people can find and nurture a readership in ways that were not possible twenty years ago. From a creative perspective, that is all that writing is about.

I started doing documentaries in the first place because of the war. I always wanted to do feature films, and I studied directing when the war started, so I was working with actors before, in film and in theater. So I think it's easy to work with actors when you have a script that is clear, when they know what and why they are doing it.

Imagination is the eye of the soul.