Memory and poetry go together, absolutely. It is a matter of preserving and of remembering things.

Everything is autobiography, even if one writes something that is totally objective. The fact that it's a subject that seizes you makes it autobiographical.

I am imprinted with the whole sense of European history, especially German history, going back to World War I, which really destroyed all the old values and culture. My grandparents had been reasonably well-off but they became quite poor, living in an attic apartment.

Well, language seems to be something that obsesses me. I'm always writing about it.

Presumed Innocent' was written over a six to seven year period with intervals in between where I was figuring out the end of the book and writing other stuff... My life as a writer was carried on against the odds. I had written four unpublished novels by then... as a writer of fiction, I hadn't gotten very far. I just wanted to do it.

When I was young, I wanted, most of all, to be a writer of films and film music. But Middlesbrough in 1968 wasn't the place to be if you wanted to do movie scores.

In limits, there is freedom. Creativity thrives within structure. Creating safe havens where our children are allowed to dream, play, make a mess and, yes, clean it up, we teach them respect for themselves and others.

The theater itself is a lie. Its deaths are mere special effects. Its tales never happened. Even the histories are distorted for dramatic effect. The theater is unnatural, a place of imagination. But the theater tells the audience something true: that the world requires judgments.