Traditionally, royal females who have not had the luck to become queens regnant have been granted very limited roles. They have been expected to look pretty, be discreet, do charitable good deeds, and - if married to princes or kings - be quietly supportive and, above all, fertile.

Since the Second World War, as female expectations and opportunities have risen, becoming a royal woman - and remaining a royal woman - has seemed less and less an attractive proposition.

Captives' was a deliberate bridging exercise, an attempt to use detailed knowledge of what Britain was like on the inside, to reach a deeper, more variegated understanding of how its peoples experienced external adventures and aggression over a quarter of a millennium in four continents.

To be sure, political unions between European countries have often failed in the past, but usually only after relatively brief periods. Denmark and Iceland separated after 130 years; the unions between Spain and Portugal and between Sweden and Norway each lasted less than a century.

I'm just me. I'm that cool girl who - as I like to say, I have that Carson Daly effect, where, if you watched 'TRL,' he was able to do interviews with NSYNC, blend right in, and then he would do interviews with Cash Money and blend in there, and you just naturally liked him.

Workshops and seminars are basically financial speed dating for clueless people.

I've always freelanced as an actor, and you always have to worry about the next paycheck. When I booked 'True Blood,' I promised myself I would take advantage of the fact that for the first time in my career, I could afford to turn down big money to go and do small, character-driven indies.

What's difficult with doing 'The Producers' is your appetite is enormous. You want money; you want boards; you have huge desires. You've got to want more than anything for two and a half hours. Everything is heightened.