I was never the class clown or anything like that. When I was growing up and doing theatre in Seattle I was always doing very dramatic work. Now I can't get a dramatic role to save my life!

Hollywood studio executives don't recognize the value of female performers as much as male performers.

Overboard' was the movie that I put on when I wasn't feeling great, and it always made me feel better. I could watch it a gazillion times. So when they approached me to be a part of this remake, I was terrified because I felt like there's no way anything could live up to the original. But it was thrilling.

The hardest thing in my industry is longevity, getting your next job. It's hard to get the first job, but it's so much harder to get the sixth or seventh as a woman.

I think modelling was like the university of life, really. You get to travel but you get thrown into this adult world, which is kind of quite scary.

The idea is to have global standards. There is so much travel that if you just had a regional standard, it would probably ultimately have to be changed.

I'm a very professional man. I'm not out for the experience of adventure.

When I grew up in the early '90s, the new World Wide Web felt like a gimmick, and I had no idea of the changes in store. In the summers, I'd backpack through Europe, follow the Grateful Dead. I had a car and a tent and traveled around the Great Lakes and out West. Jack Kerouac was my guiding light, his 'On the Road' a sacred text.