While I was able to pass as white as soon as I came to America, this was not really possible while I was growing up, as it was pretty obvious that I wasn't 'all German.' So my privilege was that in America, I could conveniently withhold one of my bloodlines and avoid racism and discrimination. That is not a privilege most people of color have.

I knew I needed to make a studio film - not for any financial reason, but because, as a filmmaker, and especially as a female filmmaker, you have to break through the glass ceiling.

In terms of writing and developing, TV is very open because TV needs stories. They need new pitches, and they need new ideas. They don't always take the risk for new ideas, but they are certainly open to it. They can't have enough people come in and pitch to them. It doesn't matter how they look or what gender they are.

There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.

Hard fouls are a part of playoff basketball, and I think that's how basketball should be. I don't take those fouls personally.

There was nobody in my family who knew anything about the film industry. I'm from the west of Scotland. It's not exactly a mecca for filmmaking. I think I saw Rab C. Nesbitt in Asda once, but that was about it.

When I was young, I colored in the line drawings in vintage editions of the Oz books that had been handed down through generations in my family. This was a bad thing to do.

Arizona has three of the top 10 public high schools in the nation. We know how to educate a child. We just need to do it more often in more locations, and where we're having issues are in low-income areas where - where kids don't have a parent that cares or two parents that care, and, of course, also in our tribal nations.