I think there's a preoccupation with the American market to make excuses and justify its past. If it isn't current, it means somebody has to make an excuse for it. If it's 'cult,' it gives it a sense of illegitimate legitimacy.

I've got a very behind-the-scenes personality. I don't know how I became a performer. I like to stay discreet, out of the public eye, very low-key.

I extract what I consider the best material from different sources. But often the material I perform comes from a very strange location in history, which are minstrel shows.

I don't have a home. I'm on the road, more or less.