I think a lot of it had to do with, you know, I was always a daddy's girl. I was always wanting to please him, and I think he was pleased when he'd walk past my room and I was listening to those records.

Well, probably having to be away from home. When I come back I kind of feel like there's a routine going on that I'm not a part of, so that can be difficult.

I think you can have moderate success by copying something else, but if you really want to knock it out of the park, you have to do something different and take chances.

So it's more the musician in me that makes me stretch out and try different things more than anything. But, like a lot of guitar players, I have one certain niche that's my thing that I'm better at than the others.

I'd love to have a career like McConaughey or Shia LaBeouf - I love him in everything he's done. Despite his celebrity status, he's such a human being.

I never was one to go into an office and write. For one thing, I had a job. I was cleaning the ashtrays and setting up the studios at Columbia for a couple of years and working every other week down in the Gulf of Mexico flying helicopters. I didn't really get to just write songs for about five years.

You must understand, that for a daughter to protect her father's image is natural; Freud built a whole career around it.

The work that has influenced me the most in my anime profession would be, of course, 'Blade Runner.'