One of my best friends growing up was Vietnamese, and he and his mom would teach me how to say certain things so I could impress my nail girls. Then the nail girls would teach me how to count to 100 and basic things like 'Thank you' and 'You're welcome.' It's funny, because any accent that I do now always turns into Vietnamese.

My goal's always to connect and relate to my audience. I want them to leave my show feeling like they got to know me better - not only that, but like we could be friends. I want people to leave going, 'Oh my gosh, I could totally hang out with her!'

Don't try to be anyone else. Don't try to emulate what someone is doing. Play to your strengths.

I'm from San Jose, CA, which is very diverse, and I grew up around a lot of different types of people.

I grew up in Singapore, and I went to Australia for law school, and after law school, I started doing stand-up comedy.

I don't like to bad-mouth other shows, but I was very disturbed after seeing 'Starlight Express.' It had very little to do with musical comedy as I know it. It had to do with sound and spectacle and records and technology and amplification.

Sometimes, comics will make the observation that it's not jokes that are funny, it's characters that are funny. And isn't that true! That's why I always kill jokes. I'm terrible at them, because I get the joke right, but I can't get the character right, and it just goes down like a lead balloon.

From sixteen to twenty, all women, kept in humor by their hopes and by their attractions, appear to be good-natured.