One of my best friends growing up was Vietnamese, and he and his mom would teach me how to say certain things so I could impress my nail girls. Then the nail girls would teach me how to count to 100 and basic things like 'Thank you' and 'You're welcome.' It's funny, because any accent that I do now always turns into Vietnamese.

My goal's always to connect and relate to my audience. I want them to leave my show feeling like they got to know me better - not only that, but like we could be friends. I want people to leave going, 'Oh my gosh, I could totally hang out with her!'

Don't try to be anyone else. Don't try to emulate what someone is doing. Play to your strengths.

I'm from San Jose, CA, which is very diverse, and I grew up around a lot of different types of people.

I think I've learned that if you want to be successful, you have to tell your story honestly and from your heart - and I think a healthy sense of humor doesn't hurt either.

Look at the genres women like: a romantic comedy game doesn't exist. Few examples of a documentary game exist. What is the equivalent of a real drama game? They don't exist. Emotion with that complexity for a more mature, older audience are necessary to make medium-like video games healthy so it can be highly respected like the film industry.

I think there are more good sportswriters doing more good sportswriting than ever before. But I also believe that the one thing that's largely gone out is what made sport such fertile literary territory - the characters, the tales, the humor, the pain, what Hollywood calls 'the arc.'

I will make a joke about any of my family members, about me, about my wife, if I really thought that I'm doing it to be funny. If there's some darkness to it, or I think it's ill-willed or mean or not cool, then I won't do it.