I have to be vulnerable to allow myself to give the best performance I ,and that doesn't stop in between takes, and it doesn't stop when I am finished for the night.

I did attend a convention with the production company behind 'The Woman' and 'Jug Face,' and I loved it and thought, 'I have to come back, as they are so much fun!' But those tickets are really expensive, and you're buying merchandise, and you want autographed pictures with people, so it's kind of like Disney World.

I try to keep myself busy creatively; it's for my own sanity after auditioning in the city for bad television shows and bad scripts and not being a name and having the clout to get my tapes passed on further.

For horror movies, it's great because I know exactly what I am doing and what should be done. But for a cop drama, I can't calm my face down, and so it's really nice to be able to be in this genre where nothing is too much, and no one yells at me for having big eyes.

Even people that I agree with can do something that would be a target for a bit of humor.

Stand-up comedy is not a man's job. It's an alpha job: To be the only person in a room with a microphone who's allowed to talk.

Comedy has always been more challenging for me than drama.

Here's my take on Andy Kaufman... For Kaufman, comedy was a skill that was open for examination. He didn't just do comedy, he deconstructed it like it was a transistor set. He pulled out all the wires and switched them around, often in front of our very eyes.