Not long after watching 'The Passenger,' I wrote the first lines of 'The Isle of Youth,' which concerns twin sisters who swap identities and become ensnared in the Miami underworld.

I once took a workshop with Jim Shepard, and he has this term, 'rate-of-revelation,' that has come to mean a lot to me: 'the pace at which we're learning crucial emotional information about the stories' central figures.' An ever-increasing rate-of-revelation is good; a stagnant r-of-r is not.

Youth is such a fascinating and volatile concoction of vulnerability, dependence, restlessness, relentlessness. You're still learning the terms of the world and of the self, in a very immediate way.

When I was in grad school, my husband and I used to house sit for a couple in Harvard Square, so we have these amazing memories of great Cambridge summers.

I didn't want to raise my kids in this weird, sycophantic society. If you have celebrity parents, it's not a good recipe for the kids, or anyone at any age.

Growing up with a bold feminist in my mother, I witnessed her march magnificently from mini to maxi, fashions so obviously linked to powerful statements of female progression, equality and recognition. I knew no other than freedom of expression in all the forms it came in; art, theatre, fashion, literature and music.

We're a close family, and we've always believed in working hard to achieve our dreams.

A hunch is creativity trying to tell you something.