There was always a piano in the house when I was growing up - my dad played, and I thought it was cool - and when I was eight, I begged my parents to let me have lessons. After a couple of weeks, I wanted to give up, but my parents were very focused and made me keep going, which I'm very pleased about now.

It's important for any artist - particularly female artists - to feel completely comfortable and to know what they're trying to do.

Teaching was my first job after leaving university. It was a challenge, but I enjoyed it. Some of the kids were disruptive, but I could deal with it because I was only 24 at the time, and my own school memories were still fresh.

I grew up playing in youth orchestras, so they were my most treasured memories, so to be in front of an orchestra playing my own material would be incredible.

It is the single image, as used in a photograph or a painting - or the frame of a film - to which words have been added to enlarge the context. The method is not the same as that by which most paintings are named. It is closer in its performance to what dialogue does to a movie, to what the caption does to a good poster.

I'm trying to transmit the visions of creativity and build institutions that are incredibly catalytic to their fields.

To note an artist's limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.

The one thing I'm really the most confident in as an artist is my songwriting ability and ear for pop music. I'm really excited to show that off. It was a side that I wasn't able to show on 'American Idol.'