I've been working in radio on and off for most of my career. There's a restfulness about it. It's more focused on the voice, so you don't have to worry about extraneous things like sound effects, as there's someone there to look after that.

I refused to describe myself as an actress until 'EastEnders' because, until then, I couldn't support myself without doing other jobs.

I didn't have children because I was passionate about having my career.

I can do glamour, but I can also play something like I did in the play 'Wild Justice,' where I was demented with grief and anger, and there was snot coming out of my nose, and my clothes were all over the place.

I think the process of 'SNL' is still pretty formal. You make an audition tape, your agent sends it in, they watch people's tapes, and then they invite people to perform at a comedy club in Los Angeles or New York. But I don't know how much actual scouting they do online.

I've hung on for a long time in this business and had some success, and I think it's keeping an open mind and being curious and having a sense of humor about oneself that's important.

People are texting and smash into the car in front of them - I think there is some humor in that. And the virtual games. People are playing these virtual games, but they're real - I mean, the people are really playing, but it's not a game.

I had just done a movie called 'How to Beat the High Cost of Living,' and it didn't get a good review. And the same people sent me the script for 'Airplane!' for the Robert Hays part. I read it, and there were a lot of plays on words, and I said, 'I don't like this kind of comedy.'