I feel like, growing up, I haven't had a lot of room for error - I don't have room to make mistakes. You need to make mistakes to grow and learn, but I'm just a little different because the world is watching me, every single thing I do.

Every time I start to get worked up over something, I just think to myself, 'Is this really going to matter in my life tomorrow, in an hour, in a year?' You just can't get stressed about the little things 'cause it's just not worth it at the end of the day.

I'm scared of the day I turn 19. I really don't want to grow past 18.

People flash back to pictures of me when I was 12 and say 'Kylie's so different,' but how can I look the same from 12 -18?

I loved Zack Snyder's 'Dawn of the Dead' and '28 Days Later' and '28 Weeks Later.' I would love to be involved with a film that shows the breakdown of society and a small group of survivors in a world that has crumbled. That's something I would like to explore.

The poem is not, as someone put it, deflective of entry. But the real question is, 'What happens to the reader once he or she gets inside the poem?' That's the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.

We travel so much, I never adjust to time zones any more.

I realized that, for me, travel for work - I'm not speaking so much about travel for pleasure - had actually become a way of avoiding life.