Pictures are very important. I remember at home we had illustrated editions of Rudyard Kipling's 'Just So Stories' and 'The Jungle Book,' which were read to me. Living in Zimbabwe made it very real, especially the 'Just So Stories' with the 'great grey-green greasy Limpopo.'

There's a certain visual grammar you've got to stick in. For example, if a character has just woken up, draw him in his pajamas with the bed a bit rumpled. Or if he's ill, draw little bottles with red crosses on that immediately communicate medicine, and a box of tissues.

I was brought up in Zimbabwe, and there were seven of us in my family, so it was difficult to read aloud to us all. There weren't that many picture books around in the Fifties in Zimbabwe. My favourite was Heinrich Hoffmann's Struwwelpeter, which was really frightening.

Winnie The Witch' transgresses all cultural boundaries. Amusingly, there have been attempts to deconstruct the meaning of the books - that Winnie represents society and Wilbur the disabled - but I think it's just a great story.

I do go back to Brazil once a year. I miss my family.

It was in Austin that I had the idea for 'Days of Heaven.' I found myself alone for a summer in the town I had left as a high school student. There were those green, undulating hills, and this very beautiful river, the Colorado. The place is inspired and inspiring.

I would abolish the federal Department of Education and very quickly. People don't realize that the federal Department of Education gives each state 11 cents out of every school dollar that every state spends. But it comes with 15 cents worth of strings attached.

My family are happy in Italy. We're first, and I'm top scorer. What more could I ask for?