I was very worried about my mother, growing up - a lot. I do not want my children to be worried about me.

When I was growing up, I wanted to adopt, because I was aware there were kids that didn't have parents.

Acting helped me as I was growing up. It helped me learn about myself, helped me travel, helped me understand life, express myself, all those wonderful things. So I'm very, very grateful; it's a fun job. It's a luxury.

I want to support other women because of the opportunities I've had - and I've had a lot of opportunities. What I try as a female director is to do the best job I can and, in the meantime, bring attention to as many other female directors and writers as I can.

I was a contact hitter my whole career but I learned how to handle the ball inside. And Ted Williams played a big part in that. He gave me the advice on how to handle inside pitches.

In senior year at college, Paula Vogel was my playwriting teacher; she is the first person to introduce me to the notion that a woman could actually forge a career in the theatre. Up until then, the possibility seemed remote and inaccessible, as I had very few role models who directly touched my life.

I believe for the first time in history, entrepreneurship is now a viable career.

As a teenager, I felt so hemmed in and trapped, both by the place I lived and the expectations others had about school, college, and a future career.