I was very worried about my mother, growing up - a lot. I do not want my children to be worried about me.

When I was growing up, I wanted to adopt, because I was aware there were kids that didn't have parents.

Acting helped me as I was growing up. It helped me learn about myself, helped me travel, helped me understand life, express myself, all those wonderful things. So I'm very, very grateful; it's a fun job. It's a luxury.

I want to support other women because of the opportunities I've had - and I've had a lot of opportunities. What I try as a female director is to do the best job I can and, in the meantime, bring attention to as many other female directors and writers as I can.

Coming where I'm coming from, really, my family name isn't a pressure because, you know, music is not like sports, where you can go and do a hundred reps in a gym and come out and be all buffed up. Music is an expression of what's inside of you. And that's how I make music.

Around 1998, I went through lots of pressures and struggles. My children got married within eight months of each other, my son was diagnosed with cancer and went through major surgery and radiation, my mother had five life-threatening hospitalizations where I stayed with her, my husband's dental office burned to the ground.

I always went to Ireland as a child. I remember trips to Dundalk, Wexford, Cork and Dublin. My gran was born in Dublin, and we had a lot of Irish friends, so we'd stay on their farms and go fishing. They were fantastic holidays - being outdoors all day and coming home to a really warm welcome in the evenings.

I came from a traditional family, and it was an exciting but challenging transition to move to America and live on my own. The world around me was suddenly so different.