I'm a big Cate Blanchett fan. I'm ready. I'm coming! I mean, come on, I am a gay girl; I want what I want. I want to come to Australia and marry Cate Blanchett. Just let everybody know for me.

Growing up with a dad who was a classic-rock guy, I felt out of place with what was happening in pop culture. The Beatles, Zeppelin, T. Rex - that, for me, was the music that could never leave our vocabulary.

I wrote about ladies who had come through the studio. I get asked, 'Is it a choice to gender the music or put pronouns in?' and for me, it just wasn't a choice.

When I do makeup, it's performative. I don't really wear makeup, but I use it as a tool to talk about gender and sexuality.

Shakespeare is a seminal story-teller. I don't think he imagined he was writing classics or that he was writing great poetry. I don't think he dreamt his work would be staged 400 years after he died.

As far as the creative side, the more I do this, the more I know that it's all about the writing. We don't always celebrate that enough, but without the writing, you can't do much. You got on a film sometimes, and it's sort of half-written, and they expect and think that the actor's job is to bring the extra part and the good part. It's not.

If you're concentrating so damn hard on a piece of mathematics or a musical - a piece of music or a piece of art, the restraint that holds the rest of - the rest of the world back off and vanishes in the rest of your life.

Creativity is very selfish. Scandalously so, in fact.