Growing up in any big city, you get exposed to so many beautiful cultures. I've grown up with a lot of open eyes around me that's influenced my eyes to open.

Jazz is more raw than punk in a lot of ways. It's so expressive. A lot of people say to me, especially older people, 'It took me ages to get into jazz.'

I've mainly been sampling jazz because the tone of the chords are expressive in itself, so it's quite nice to write over. It's got interpretations of a lot of different genres, too, a lot of dubby-ness and experimental stuff.

I was always wrapped around music being a tradition, a skill.

The poem 'What Teachers Make' is not without its detractors. This one person wrote to me and said: 'Gee, Mr. Mali. You don't possibly have a teacher-God complex, do you?' And that was the first time I'd ever heard of that expression. So, yeah, I'm sure I have a teacher-God complex.

Whether we are talking about access to affordable birth control, feeling safe from violence in our homes, or being able to earn the same amount of money as our male counterparts, these are rights that all people deserve, and they are being threatened.

Hip-hop from the beginning has always been aspirational. It always broke that notion that an artist can't think about money as well. Just so long as you separate the two and you're not making music with business in mind. At some point, it has to be real when they touch it, when they listen to it. Something has to resonate with them that's real.

I feel many responsibilities - to our customers, to our employees, to the environment, to the world at large. But I don't want to feel responsible to investors, to outsiders with financial concerns that may differ from those of the welfare of IKEA.