When I was growing up on Loch Lomondside, one of the first albums I ever bought was Marley's 'Uprising.' I guess that would have been 1980 - just before he died.

People think that the Italians invented neorealism, but actually, Humphrey Jennings did. He was revolutionary in using non-professional actors in his films, and he got extraordinary performances out of them.

With fiction, I've grown to really love the challenge of lying, the challenge of telling a good tale that isn't truthful, and working with performers is endlessly fascinating. You know, learning what a good performance is, how to get a good performance, how much or how little you need to create emotion or to create character.

I was fascinated by making a submarine movie, inspired by the Kursk disaster. This idea of being trapped down at the bottom of the sea seemed so terrifying. I was very interested in making a sub film which wasn't a military film. You think, Well, why are they there, then, if they're not in the military? Oh, well, they must be looking for treasure.

Not a lot of people know this story but I actually got into the business without even telling anyone in my family. It was something I did on my own and I had been training for six to eight months before I told my dad and my step-dad.

I grew up in a two-parent household. We all played sports, all sports, which cost a lot of money. My pops was an attorney; he went to College of the Holy Cross with Clarence Thomas. My mom worked a bit, then gradually came home and took care of us full time.

I got married quite early. And then I had a son. I had a family. And this may be hard to believe, but I am a complete family kinda girl.

My dad lived a good life. He was a simple guy. His family had been poor, and he joined the Marines to be able to send money home to his mom and dad and brothers and sisters. He genuinely had the intention to live a good life and to respect other people.