When I was growing up, I thought there was only WWE. That's it. One promotion in the world. And then, as I grew up, I found that there's local wrestling. There's WCW, there's ECW. In Mexico, there are the luchadores. And then, finally, I realized there's wrestling in Japan.

As a professional wrestler in the position I am in, I would rather have people remember my matches for an emotion or for a certain thought it evoked when they saw it.

John Cena is one of the great WWE talents that I respect most. If I were to end up there, working with someone of his caliber would certainly be a goal and jive with my mission of changing wrestling.

We have a very physical performance art. A lot of times, when you want to achieve a certain emotion, you have to use professional wrestling ingredients, which are moves or a sequence of moves.

I'm excited that 'The Good Guy' is getting distribution because indie movies they're not - people ran out of money and they're not making these movies anymore. It's all superhero movies or real obvious tent pole studio films.

I make movies for money, exclusively for money.

Are we interested in treating the symptoms of poverty and economic stagnation through income redistribution and class warfare, or do we want to go at the root causes of poverty and economic stagnation by promoting pro-growth policies that promote prosperity?

But I feel that I have a responsibility to help the film and I have relations with the studio and with those who put up the money so that I can tell a story that I believe in.