I wanted to be a painter, really, when I was growing up as a kid. It was one thing that really took a grip on me.

My first job when I got my equity card was acting in 14 plays back-to-back. Playing that many roles, you look for ways of differentiating the characters physically, which goes hand in hand with understanding them psychologically.

The learning curve is 'The Hobbit' is being shot in 3D.

I've been told that some guy wrote something like, 'Andy Serkis does everything, animators do nothing.' Of course I never in a million years said that, wouldn't ever say that. It's not within my understanding of filmmaking to ever say anything like that.

I think in London - and I don't wanna offend anybody in America, but this is a real statement - they still have the right approach to making music. In the U.S., people see it as a way to make money; they see it as a means to get out. It's a hustle, which is great - any way you can provide for your family that's legal is fantastic.

I looked up my family tree and found out I was the sap.

Politics scared the crap out of me because I didn't grow up in a family where we talked about anything, really, except, 'Pass the peas, and do this.'... We didn't really have political discussions at the dinner table. I didn't learn how to watch or listen to politics.

My mother and father were supportive. But in an Italian family, you kind of work with your hands, or you are an engineer or a doctor. But an actor was something they couldn't get hold of. They were afraid I wouldn't be able to make a living, and for many years, they were right.