I went to Catholic school growing up. I can barely remember any prayers or anything!

And then 'Wanderlust,' Ken Marino and David Wain wrote the funniest - they're amazing. That was one of my most favorite creative experiences; we're all up at that commune, a small group of people. Everyone was funnier than the next. It was an amazing ensemble feeling. Everyone gave and took in the best way.

I was on vacation with my family when I got the scripts for 'Wanderlust' and I was trying to work on the audition while I was on vacation. I remember a big gust of wind blew the entire script into the pool, so I had to dry it with a hairdryer.

There was something about the Cleveland Play House that was the holiest place - you know, with the ghost light on the stage and the brick. It was just the most beautiful theater in the world.

My family is weird in a very good way because I was always exposed to the arts.

My father was this big, tough guy, almost heroic in proportion to me as a child. It was only later that I saw how fearful he was.

At the end of the day, I mean, I love my father, but I was always a mama's girl growing up. I'm from the South, so there's always something about me when I'm just with my girls or even my mother. There's just a strong connection there.

Zorn' goes to some pretty ridiculous places, but the real comedy is coming from these little observations about life that are not as outlandish as some of the bigger moves in the story. This is a guy who has magical relics and fights weird monsters and is also dealing with very basic work and family things.