I went to Catholic school growing up. I can barely remember any prayers or anything!

And then 'Wanderlust,' Ken Marino and David Wain wrote the funniest - they're amazing. That was one of my most favorite creative experiences; we're all up at that commune, a small group of people. Everyone was funnier than the next. It was an amazing ensemble feeling. Everyone gave and took in the best way.

I was on vacation with my family when I got the scripts for 'Wanderlust' and I was trying to work on the audition while I was on vacation. I remember a big gust of wind blew the entire script into the pool, so I had to dry it with a hairdryer.

There was something about the Cleveland Play House that was the holiest place - you know, with the ghost light on the stage and the brick. It was just the most beautiful theater in the world.

I got so much out of 'The To-Do List.' This is a joke that I say about myself sometimes, in terms of my film career: I feel like I'm always playing the kid in serious adult movies. So, for me, it was so wonderful to suddenly be working with other people my age who were doing this on film.

I've been doing comedy in New York since 2007.

In comedy, looking back is more important than looking around at your contemporaries because they are too much influenced by the same time period as you are.

Up until the age of 9 or so, I was an incredibly happy, pretty well-adjusted, funny kid who made my parents laugh all the time. I was a bit of a clown, and I was really happy. And then my parents divorced, and I kind of turned into a different person.