I went to Catholic school growing up. I can barely remember any prayers or anything!

And then 'Wanderlust,' Ken Marino and David Wain wrote the funniest - they're amazing. That was one of my most favorite creative experiences; we're all up at that commune, a small group of people. Everyone was funnier than the next. It was an amazing ensemble feeling. Everyone gave and took in the best way.

I was on vacation with my family when I got the scripts for 'Wanderlust' and I was trying to work on the audition while I was on vacation. I remember a big gust of wind blew the entire script into the pool, so I had to dry it with a hairdryer.

There was something about the Cleveland Play House that was the holiest place - you know, with the ghost light on the stage and the brick. It was just the most beautiful theater in the world.

I think it's nourishing to do both comedy and drama.

I paint; I draw and paint - I've been doing that since I was in third grade, drawing realistically and then changing to abstract art. That was my first creative thing before guitar or comedy.

I think of everything as comedy, but I don't think of it in terms of sitcom comedy, I think of it in terms of Chekhov comedy. Chekhov called his plays comedies. There's always a mixture of a laugh with sadness. So the plie to the laugh is sadness.

I've always liked a good joke that everybody can laugh at.