Making sense of a political moment when you're in the midst of it is difficult: even if you avoid commercial and personal conflicts, it can still be hard to see it and understand it.

Being editor-in-chief of the 'Guardian' and 'Observer' is an enormous privilege and responsibility, leading a first-class team of journalists revered around the world for outstanding reporting, independent thinking, incisive analysis, and digital innovation.

A newspaper is complete. It is finished, sure of itself, certain. By contrast, digital news is constantly updated, improved upon, changed, moved, developed - an ongoing conversation and collaboration. It is living, evolving, limitless, relentless.

The political solutions to the refugee crisis may be complex, but that does not mean we should abandon our humanity. We should not close our hearts, retreat behind walls, real or imagined, or ignore the pressing moral imperative to provide assistance and sanctuary for some of the world's most desperate people.

As more people use social media to tell the story of the future, the wants and needs of more people will be reflected.

How do you convince somebody to host a stranger for the weekend? That's not a trivial thing. It's not something I think you can throw technology at, marketing at, or sales at. We threw design at it because that's all we knew, and in doing so, I feel like we brought a human touch to it, which is so needed.

Technology is, in many respects, an enabler for an open, transparent society. But it's also an enabler for supervision to a completely unforeseen degree. And for commercialising personal space to an unforeseen degree.

Music turned to digital, and suddenly you had the possibility to make things louder than loudest, which boggles the mind but it's true, and what you have are all kinds of different ways of distorting your music.