Feminism' is such an incredibly awkward word for us these days, isn't it? Not to be feminist would be bizarre, wouldn't it?

I find the past so fascinating. Photographs are strange, almost surreal, almost here yet gone. I slip into thinking what the past must have been like and I enjoy creating that ambience and atmosphere - 1730 to around 1870 is the most interesting period.

I don't have goals when writing books, apart from getting to the end. I have rather vague ideas about how I want things to feel, I'm big on ambience. I have a title, a beginning and a probable ending and go from there.

I had a novel in the back of my mind when I won an Ian St James story competition in 1993. At the award ceremony an agent asked me if I was writing a novel. I showed her four or five chapters of what would become 'Behind the Scenes at the Museum' and to my surprise she auctioned them off.

Before the day my grandmother shared her treasured letters with me, I honestly wasn't much of a fiction reader, let alone creative writer.

In my experience, poor people are the world's greatest entrepreneurs. Every day, they must innovate in order to survive. They remain poor because they do not have the opportunities to turn their creativity into sustainable income.

Energy is the key to creativity. Energy is the key to life.

Boston was a great city to grow up in, and it probably still is. We were surrounded by two very important elements: academia and the arts. I was surrounded by theater, music, dance, museums. And I learned how to sail on the Charles River. So I had a great childhood in Boston. It was wonderful.