I wanted to be the first female, young teenager producer, and it didn't happen. And when it finally did happen, I was shelved because I was signed to Warner Bros.

I used to read the criticism on blogs about other people - mostly female actresses and singers - and even when they are extremely perfect and harmless, people still go after them. So I figure, if I'm going to get negativity regardless, why do I have to worry about what somebody thinks of me?

The hardest thing as somebody who does both is - and I'm very serious as an actor, and I consider myself very serious as a musician, engineer, music artist - is learning that it's OK to be versatile.

I've always been involved with charities and things like that, but when I started communicating with the fans and hearing their stories about the lives they lead, it really made an impact on me.

I think 'Death Race 2000' is a classic, but it's a classic from the 1970s, and I think it's a particular kind of drive-in-exploitation movie satire masterpiece, and it was very much a movie of its time.

I have been connected with the Niels Bohr Institute since the completion of my university studies, first as a research fellow and, from 1956, as a professor of physics at the University of Copenhagen. After the death of my father in 1962, I followed him as director of the Institute until 1970.

The name Downhere comes from a song I wrote after a friend of mine died in college, and it was kind of the first time I was dealing with loss and, you know, real mortality, and it was a song of how down here on Earth, we don't have the big picture.

I have been here before as a spirit - this is just my physical body, it is just an overcoat. And at death, you will take the overcoat off.