When I graduated from college, I moved to New York and started doing improv because I read all about the early 'Saturday Night Live' guys having come through Second City and learning how to improvise, so I wanted to get immediately into that.

If I do a bit on stage, I prepare too much. Those bits are all really, really carefully written, and overwritten, and researched. I really don't feel like I can wing it. So I write it out word for word, and when I'm onstage I'll improvise around it.

It's so cliche, but I love the feeling you get from improv that anything can happen. The audience is already accepting that there are no props or costumes or furniture, so the performers can be anywhere doing anything; cut from underground to space, and it doesn't matter.

I love to play characters who are stuffy and nerdy who either then have a dark side or are pushed to a breaking point.

I had this wonderful career and thought I would retire as a teacher.

What the mayors care about is, 'How can I get money to invest in the infrastructure in my city? How do we put people back to work, lower the unemployment rate, provide for job training programs? How do we make class sizes smaller and make investments in our children from an education standpoint?'

If the Chinese will not learn the true principles of government, all else will be useless. Knowledge is power, and although a country may be weak, still, if it possess but a modicum of knowledge, the enemy will not be able to completely overthrow it; although that country may be in danger, the race will not be extirpated.

But instead of standing up for reason, our government is handing education over to the world of faith.