There's an energy in people coming together and singing.

Reggae was always playing at home in East Ham when I was growing up. Loud music would be coming from the bedroom, and downstairs all you'd hear was the bass. My uncles had sound systems and we used to go to Jamaica a lot as a family.

As a boy, I was known for reciting whole songs after one listen. I've always had a good memory for lyrics. It's weird because I don't have a good memory for other things. I remember lyrics easier than the shopping list.

You fight for your character in the script. It's part of our job to evolve them, show all sides of them.

I look back into past history, the stored experiences or products of the imagination. I look no further forward than the evening.

I think when I do things outside of music, I am always thinking of different things that are eventually one way or another going to come back to my music. I have to make sure it is all cohesive, as that's important to me as an artist and a person.

Fools act on imagination without knowledge, pedants act on knowledge without imagination.

Everything starts with what's on the page, what a writer has come up with. And whether it is a big studio film or independent film, is the story being well told? Is it interesting? Is the character interesting? And is there something about the character that may stretch me?