I was always very academically focused when I was growing up, and music was something for which I really had no preconceptions or expectations for myself or really any rules. It kind of represented, at least for me, a divergent path of creativity and self-discovery.

When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.

As an independent artist, you control the means of production, which is the ultimate form of empowerment.

I think a part of me thought that I might be interested in academia because I really do love school. I mean that on all levels - I like educational environments; I like being part of that community of learning and exploration. And I like to talk.

As you age naturally, your family shows more and more on your face. If you deny that, you deny your heritage.

Coming from a single parent household, I witnessed firsthand the strength and courage of the single mother. I always had my father in my life but my household was run by my mother and my grandmother. As a result, I have always had the utmost respect for women and have chosen to strongly convey that in my music.

When I did the original research for 'Odd Girl Out,' I asked every bullied girl I interviewed to tell me what she needed most from her family. The answer truly surprised me. It wasn't having the best solutions, calling the school, or trying to act like everything was okay. It was empathy.

No citizen is a second class citizen in the city of Chicago. If my children are treated one way, every child is treated the same way.