Birmingham did a truly remarkable thing in building Symphony Hall, which is the finest concert hall in the U.K. and one of the best in the world. The city has supported music without putting on the brakes.

For me, the main goal is loving music and experiencing the great music-making with the orchestra, which is the great reason why I conduct, and that is the main goal.

Conducting is about communication. You don't play any notes, but you communicate with the musicians.

On stage, I'm always nervous, but there is so much adrenalin, too. It's strange because I have to turn my back on the audience, and my audience is the orchestra. I communicate my energy to them, and they communicate it to the audience behind me!

I want to be a great role model to let the kids, especially black kids, that it's possible to make it in this sport. I think we, as a black community, quit playing the game because we think it's a white man's sport. Or we think that since other black people don't play it, so why should I play it.

I want my players to enjoy playing football and not be scarred by the experiences.

From a young age in England I felt technical skills were coached out of me. I remember when I was 15 doing a rainbow flick over a player's head in training and the coach telling me off and shouting: 'This is not the Eni show.' That discouraged me from expressing myself individually with the ball in that team again.

The more time I was spending with the British team, the more of a laugh I was having with them. It's clean, their way of cycling; it's more about what you can produce as an athlete.