The Infinities' is a shortish book but densely loaded with Nabokovian slyness, gorgeous imagery, and disturbing insights into what it means to be mortal.

For novelists, sharply drawn moral conflicts are often useful, and even human and personal disasters can be seen as material.

DeLillo has said that he no longer feels a compulsion to write long, compendious books. In his later years, Saul Bellow said something similar. DeLillo, of course, has written very long in the past, notably with the 850-page Underworld (1997), and his story has been America.

If I had been brought up in America, I think I would still have had the same sort of job as a writer.

When I started out the videos, I was dealing with depression, and I wanted to make inspiring videos for others, which would end up inspiring me in turn. I wanted to show the world that it was possible to make a positive switch in life and start over.

With 'Scandal,' I was there from the beginning. I got to experience the transformation from its initial slow start to the water-cooler hit it became. I have thoroughly enjoyed the ride, and am deeply grateful for it. I can't believe how often people stop me on the street to talk about it.

I know all my different formulas to get certain sounds. I've been doing this so long that I don't experiment anymore. Or let me rephrase: I've been doing this so long that I don't have to experiment as much. You always want to evolve and change, but if I go in and I know it's a certain type of song, I know exactly where I'm going to place the mics.

I hate how hard spiritual transformation is and how long it takes. I hate thinking about how many people have gone to church for decades and remain joyless or judgmental or bitter or superior.