Like most lit nerds, I'm a voracious reader. I never got enough poetry under my belt growing up but I do read it - some of my favorites, Gina Franco and Angela Shaw and Cornelius Eady and Kevin Young, remind me daily that unless the words sing and dance, what's the use of putting them down on paper.

I was part of that group of kids growing up in the '80s under the Reagan regime, what I used to call 'living in the shadow of Dr. Manhattan,' where we would have dreams all the time that New York City was being destroyed, and that that wall of light and destruction was rolling out and would just devour our neighborhood.

The one thing about being a dude and writing from a female perspective is that the baseline is, you suck. The baseline is it takes so long for you to work those atrophied muscles - for you to get on parity with what women's representations of men are.

In minority communities there's a sensitivity, often a knee-jerk reaction, to critical representations. There's a misunderstanding of what an artist does.

As long as you have ideas, you can keep going. That's why writing fiction is so much fun: because you're moving people about, and making settings for them to move in, so there's always something there to keep working on.

Through my travels, I find inspiration in street style and how young women create their individual looks and identity.

My parents from a very young age raised my sister and I under a pressure to achieve. They're both attorneys. So good marks, getting through university, there was a huge emphasis and pressure to do well and keep going.

I draw inspiration from everywhere, whether it's country, R&B, gospel.