I so find Harold Pinter and David Mamet's writing to be exciting, and obviously there aren't that many female - at least with Mamet, there aren't that many good female roles. But I always thought it would be interesting to play one of the guy roles.

At the heart of any drama, there's conflict. When you are acting, you get to play out the confrontations you want to have in real life but can't. Or the emotions that you would want to have in real life, but sometimes they are too difficult.

I'm terrified at the prospect of Donald Trump becoming president. I think he's disgusting, he's offensive. I think that it would be embarrassing for our country to have him sit down with world leaders and try and have a conference or even take a photo op. So we'll see what happens, but it's a very pivotal time in the U.S.

Even after such milestones as Kathryn Bigelow winning an Oscar, there still seem to be few women in leadership roles.

I don't think people buy records because of anything that happens on Facebook. They buy records cause they're friends say 'I bought this record and I love it.'

I have a lot of people in my life, and I think there's something key: the thing that leads to intimacy and relationship and connection is tenderness.

Takers believe in a zero-sum world, and they end up creating one where bosses, colleagues and clients don't trust them. Givers build deeper and broader relationships - people are rooting for them instead of gunning for them.

Now I am training with sparring partners who are nice people, sure, but not my friends. These are sparring partners who want to knock me out in sparring. In the Croatian media, they said it was 'life and death' sparring - it was not quite life and death, but it was all-out fighting, very hard.