I so find Harold Pinter and David Mamet's writing to be exciting, and obviously there aren't that many female - at least with Mamet, there aren't that many good female roles. But I always thought it would be interesting to play one of the guy roles.

At the heart of any drama, there's conflict. When you are acting, you get to play out the confrontations you want to have in real life but can't. Or the emotions that you would want to have in real life, but sometimes they are too difficult.

I'm terrified at the prospect of Donald Trump becoming president. I think he's disgusting, he's offensive. I think that it would be embarrassing for our country to have him sit down with world leaders and try and have a conference or even take a photo op. So we'll see what happens, but it's a very pivotal time in the U.S.

Even after such milestones as Kathryn Bigelow winning an Oscar, there still seem to be few women in leadership roles.

Knowledge goes hand-in-hand with truth - something I learned with a bit of tough love from my Jesuit education first at Regis High School in New York City and then at Holy Cross College in Worcester, Mass.

I've been compared to my dad my whole life. That pressure I've learned to deal with.

I tell my daughter every morning, 'Now, what are the two most important parts of you?' And she says, 'My head and my heart.' Because that's what I've learned in the foxhole: What gets you through life is strength of character and strength of spirit and love.

But one of the things I learned from improvising is that all of life is an improvisation, whether you like it or not. Some of the greatest scientific discoveries of the 20th century came out of people dropping things.